me & david fincher

It turns out that David Fincher and I are only about 2K apart, in workflow at least. This interesting video from Adobe outlines his post production workflow on gone girl which mirrors my post production workflow using Adobe Premiere & After Effects. He shoots with the 6K Dragon Sensor RED I own and shoot with the 4K MX Sensor RED, I thoroughly enjoyed Gone Girl and hope my next horror short ‘dedicated’ which I’ll be shooting on the RED with Nikkor primes will look just as good and be every bit as thrilling.